Music products

Weait - Reverie and Revelry for clarinet, bassoon and piano (5'45)

First page of piano score to Christopher Weait's "Reverie and Revelry".
SKU: [1312]

The two contrasting movements or Christopher Weait's "Reverie and Revelry" was composed for Trifecta, the trio that premiered the work: Lori Baruth, clarinet, David Oyen, bassoon and and Chialing Hsieh, piano. The set comes with parts for clarinet in A, bassoon and a piano score.

This is the printed version of the score and parts, ready for shipping to you. A downloadable PDF version for self-printing is also available.

$18.00

Weait - Reverie and Revelry for clarinet, bassoon and piano (5'45) pdf

SKU: [1312pdf]

The two contrasting movements or Christopher Weait's "Reverie and Revelry" was composed for Trifecta, the trio that premiered the work: Lori Baruth, clarinet, David Oyen, bassoon and and Chialing Hsieh, piano. The set comes with parts for clarinet in A, bassoon and a piano score.

This is the downloadable PDF version of the piece, for making one print copy. The pre-printed, shippable version is also available.

$18.00

Weait - 3 Movements for 8 Double Reeds (7'52) pdf

SKU: [1311pdf]

Composed for performance at the 43rd annual conference of the International Double Reed Society at New York University in August, 2014. The three movements, Melancholy Waltz (2'16), Chaconne (3'00) and Jollification (2'36) are for 2 oboes, 2 English horns, 3 bassoons and contrabassoon. A set of parts comes with a full score. The parts are professionally notated with cues, measure and rehearsal numbers.

This is the pdf download version of this piece. A paper version is also available.

$25.00

Mozart - Kanon Alleluja, K. 553 for woodwind and sax choir (2'00)

First page of score to Mozart "Kanon Alleluja, K. 553" for woodwinds and saxes.
Page 3 of score to Mozart "Kanon Alleluja, K.553" showing beginning of canonic version.
SKU: [9210F]

Mozart's interesting canon is first set out for unison performance by all instruments, then the canon melody is scored in a four-part version that can be played by any combination of woodwind instruments. You can use it as a warmup from the beginning or as a concert selection by starting at a half-note before measure 27.

Parts are provided for: piccolo, flute, oboe, English horn, E-flat clarinet, 2 clarinets in B-flat, bass clarinet, E-flat and B-flat contrabass clarinets, bassoon, contrabassoon, 2 alto saxophones, tenor saxophone, baritone and bass saxophone.

$10.00

Weissenborn - Capriccio, Op. 14 for solo bassoon and chamber winds

Final page of score to Weissenborn's "Capriccio, Op. 14" for bassoon and chamber winds.
SKU: [0005C]

This is a transcription of the accompaniment for Christian Julius Weissenborn's (1849 - 1888) delightful bassoon scherzo for chamber winds with ten instruments. The instrumentation is: flute, oboe, 4 B-flat clarinets, bass clarinet, 2 horns in F and double bass OR tuba. An optional cut shortens the piece to 3'50. We also publish the accompaniment for string quintet or string orchestra [0005E].

$30.00

Anonymous & Luther - Three Chorales for bassoon Ensemble (5'00)

First page of performance score of Anonymoous & Luther 3 Chorales for bassoon ensemble.
SKU: [7908]

Three easy chorales as warm ups, church or concert pieces for 4 bassoons with an optional contrabassoon part for each chorale: #1. Hasten, Immaneul (Anonymous, 1679); #2. Now All the Woods are Sleeping (Anonymous, 1529); #3. A Might Fortress (Martin Luther, 1529). The chorales are shown in performance scores so that players can exchange parts. Dynamics and clear articulations are shown. For the best balance of parts, have more players on the soprano (Bassoon 1) and bass (Bassoon 4) parts. One player each on Bassoon 2 and Bassoon 3 will provide alto and tenor voices.

$8.00

Weait - Five More First Solos for bassoon and piano

First page of piano/score Weait "Five More First Bassoon Solos".
SKU: [1218B]

Five More First Solos contains easy music for new bassoonists. The solos are a bit more challenging than those in The First Six Bassoon Solos [1218A]. The range is from low F (F2) to fifth-line A natural (A3). The piano parts are easy. Meters used are 2/4, 3/4 cut time and 6/8. In addition to whole notes, half notes and quarter notes, eighths, sixteenths and dotted rhythms are used.
No.7 Andantino (0'35) in 6/8 meter
No.8 Moderato (1'35) in Cut time
No.9 Bass Line Minuet (1'15) in 3/4 meter

$15.00

Weait - Tango for bassoon and piano (2'15)

First page of piano / score Weait "Tango for bassoon and piano".
SKU: [1219]

This very short tango is in F minor with a middle section in C major. The range is limited: from second space C (C3) to E-flat above middle C (E-flat 4). The piano part is not difficult. The 4/4 meter is mostly divided into eighth notes in 3 + 3 + 2 patterns. BULLETIN! This selection was added to the Ohio Music Education Association's (OMEA) Solo and Ensemble List in Grade C in 2014.

$5.00

Weait - Distant Thunder with Rain for native American flute and woodwind quintet (7'45)

First page of score to "Distant Thunder with Rain" for native American flute and woodwind quintet.
SKU: [1015]

Distant Thunder with Rain is for native American flute and standard woodwind quintet. It was inspired by and written for Michael Cox and the members of the QuintEssential Winds, all faculty at the Capital University Conservatory of Music. It was premiered by them on October 31, 2011 in Huntington Recital Hall as part of the 2011 NOW Festival of Contemporary Music. The music depicts Night, Dawn, Sunrise, Full Daylight, Hunting, Distant Thunder with Rain, Sunset, Evening and Night.

$25.00

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