Music products

Holzbauer - Divertimento for 2 horns and 2 bassoons (6'30)

SKU: [1007A]

Ignaz Jakob Holzbauer (1711 - 1783) composed this Divertimento in C with six short movements. This edition has horn parts in F and bassoon parts without any tenor clef. The second horn has a lot of notes below the treble staff but some higher notes are shown. We have also prepared a version of the same work for four bassoons [1007B]. Total duration 6'30.

1. Marsch 1'20
2. Allegro 0'35
3. Menuett 1'00
4. Andante 2'00
5. Presto 0'35
6. Larghetto 1'00


Rossini - Theme & Variations from Wind Quartet No. 6 for flute, clarinet, horn & bassoon with band accompaniment (4'00)

SKU: [1112]

Theme and Variations for solo flute, solo clarinet in b-flat, solo horn in F and bassoon has been arranged by Christopher Weait with band accompaniment from the second movement of Rossini's Wind Quartet No. 6. The arrangement was made for and performed by the woodwind faculty at the Capital University Conservatory of Music (Dr. Lisa Jelle, flute, Dr. Gail Lehto Zugger, clarinet, Professor Kim McCann and Professor Christopher Weait, bassoon) and the Capital University Symphonic Winds, Dr. Barry Kopetz, conductor.


Weait - Four Fanfares for woodwind quintet (Total duration 2'10)

First score page to Weait - Four Fanfares for woodwind quintet.
SKU: [1012]

These fanfares were composed at different times for different ensembles. Fanfares 1 and 2 were written for OBOHIO to begin concerts by that double reed quartet. We played them offstage before entering. Tavern Fanfare was written for a wind octet to play a concert at, you guessed it, a tavern! The Seven Eight Fanfare was composed in 1998 for no particular ensemble or event.


Weait - Ukrainian Triptych for bassoon, contrabassoon and piano (13'00)

Page 6 of Weait - Ukrainian Triptych for bassoon, contrabassoon and piano.
SKU: [1201]

Ukrainian Triptych was written in 2012 at the request of Dr. Bruce Gbur who is of Ukrainian descent. The music in three panels (movements) is based on folk songs found in the collection 'Let's Sing Out in Ukrainian, Volume One' compiled and edited by Yurko Foty, published in Saskatoon, Canada by Canuk Publications, 1977. The work will be premiered at the International Double Reed Society's 2012 conference at Miami University in Oxford, Ohio on July 9, 2012.

First Panel - 4'00
Second Panel - 4'45
Third Panel - 4'15
Total duration - 13 minutes


Weait - 4 Marches from Early America for 2 oboes and 2 bassoons (9'15)

First page of score to "Four Marches from Early America" for four double reeds.
SKU: [1102]

These Four Marches from Early America are found in the "Merrimac Collection of Instrumental and Martial Musick" by Henry Eaton Moore, printed and published by Jacob B. Moore in Concord, New Hampshire in 1833. The tempos reflect the slower, dignified marching style of the Revolutionary and Federalist periods. the United States March consists entirely of three-measure phrases

1. Colonel Orne's March (4'00)
2. United States March (1'00)
3. General Washington's March (1'45)
4. General Wayne's March (2'30)


Rossini - La Scala di Seta Sinfonia (Overture) for chamber winds (7'00)

SKU: [9309]

Rossini's overture to the opera "La Scala di Seta (The Silken Ladder) is well-known to audiences and musicians - especially oboists - for whom the oboe solos are prime audition material. This version for chamber wind ensemble is in the original key of C and maintains the original woodwind and horn solo passages. This is a convenient way to allow your oboists to tackle the Big Solo. Performed by The Ohio State University Wind Ensemble under the direction of the transcriber.


Weait - Four Fanfares for woodwind quintet (Total timing: 2'10)

SKU: [1012]

Four short fanfares that can be performed as encores, concert openers or as interludes between longer pieces. They don't have to be performed in numerical order. They were composed for a variety of ensembles. The OBOHIO fanfares were played offstage to begin concerts by that double reed quartet. #2 was performed at the International Double Reed Society conference at Louisiana State University in 1990. Tavern Fanfare was originally for wind octet for a concert at, you guessed it, a tavern! The Seven Eight Fanfare was composed in 1998 for no particular ensemble or event.


Weait - A Nineteenth Century Scrapbook for wind nonet (12'30)

SKU: [7101]

This is a revised and re-notated version of this work. Cues have been added and the keys of the first three movements have been changed.

An aural scrapbook of music heard during the 19th century: 1. Washington’s March at the Battle of Trenton by James Hewitt (1770 - 1827), 2. Farewell, Thou Dear Country by G. F. Stanbury (1800 - 1845) 3. Waltz by F. A. Vogel, 4. Reel and Hornpipe (Buckley's Favorite Reel and Saratoga Hornpipe). For wind nonet. E-flat and B-flat contra bass clarinet parts are provided to substitute for contrabassoon or double bass.