Dialogues for Oboe and Clarinet was composed in a somewhat conservative style in 2017. The 3 movements are: Discussion (2'08), Deliberation (1'51) and Debate (1'28). Discussion is lively and rhythmical with jazz inspired solo passages for each player. Deliberation is a reflective lament. Debate is an argument in which the clarinet's melody is played in reverse by the oboe. Both instrument also invert their melodies perhaps to confuse their opponent. There are no extreme ranges for either instrument or non-traditional rhythmic or notational symbols.
Six Children’s Songs for 2 oboes and 2 bassoons is a spin-off from two previous arrangements: one for the OBOHIO double reed combination of 2 oboes (oboe 2 = oboe d’amore), English and bassoon  and the other for woodwind quartet of flute, oboe, clarinet and bassoon . The arrangements are dedicated to OBOHIO and its founders Robert and Bailey Sorton.
There is no tenor clef in the bassoon parts. Any number of them can be performed in any order.
This music can be downloaded on PDF's from [0510B - pdf] on this website.
Why let the brass players have all the fun? This fanfare, first set for 5 trumpets, pits the upper 3 oboes against the 4th oboe and English horn. A PDF version is on this website at [0719B-pdf].
Tributaries for Reed Trio has three movements: 1. Brooks (3'23), 2. Streams (2'00) and 3. Rivers (2'53). The movements have a distinctive, independent rhythmical style that traces the movement of water from rivulets in meadows to broad rivers heading for the sea.
This sumptuous melody comes from the Elizabethan era and is also known as a hymn tune. This title will soon be available for downloading.
A brief piece for oboe and organ dedicated to the memory of loved ones. The organ part is easy. This title will soon be available as a download.
Introductory price until 11:59pm December 16, 2016.
24 Very Short Woodwind Quintets for musicianship, ensemble playing and sight-reading allows quintets to develope better musicianship, finer ensemble playing and a clearer understanding of musical notation.
The pieces, none longer than a minute-and-a-half in length, gradually increase the difficulty of rhythms, meters, dynamics and technical demands. Can be played by coached or uncoached ensembles. The full score contains a review of articulation and accent notation.
Denotations is a single movement for 12 unpitched percussion instruments based on recurring rhythmic patterns that occur throughout the work. It is scored for castanets, claves, handclaps (2 or more players), triangle, tambourine, temple blocks (5), high, medium and low wood blocks, snare drum, hi-hat and bass drum.
Three Old Carols for Band is a transcription of Christmas Suite for Orchestra  made at the request of Larry Klabunde for performance by the Westerville Concert Band in December, 2016. Three movements are based on historic carols: 1. The London Waits ("Past Three O'Clock on a Cold, Frosty Morning"). 2. Huron Carol (Jesous Ahatonia) attributed to Jean de Brébeuf (1593-1649) and 3. Patapan (attributed to Bernard de la Monnoye 1641 - 1728). The English horn has prominent solos in the second movement.
There are three movements based on historic carols: 1. The London Waits ("Past Three O'Clock on a Cold, Frosty Morning"). 2. Huron Carol (Jesous Ahatonia) attributed to Jean de Brébeuf (1593-1649) and 3. Patapan (attributed to Bernard de la Monnoye (1641 - 1728). It was first performed under my direction at Cristmas concerts in Gray Chapel, Ohio Wesleyan University, Delaware, Ohio by the Central Ohio Symphony Orchestra in 1998.
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