Mozart/Weait - Cadenzas, Eingang and an Alternative Ending for the Bassoon Concerto, K.191 by W.A.Mozart is now in print. I played these cadenzas during performances on tour and in Toronto with the Toronto Symphony under the direction of Sir Andrew Davis.
The alternative ending can be played with the orchestra instead of the indicated bass line in the final measures of the third movement.
A PDF version is available at SKU [7601-pdf]. PDF versions are sent to buyers after payment is confirmed.
Clarinet Warmups are based upon Christopher Weait's highly successful Bassoon Warm-Ups (published by Emerson Edition.)
Warming up is as important for musicians as it is for athletes. It helps prepare the body and mind to perform efficiently by reducing tension and encouraging a state of relaxed attention.
Old MacDonald's Double Reed Band is set for 6 double reeds: 2 oboes, English horn, 2 bassoons and contrabassoon. Each section honks briefly on their reeds to emulate the traditional animal sounds. A worthy and captivating addition to any double reed event. The contrabassoon part can be played by a bassoon (playing the notes down one octave where possible) or by a double bass or contrabass clarinet. Also available in PDF format at our SKU [1805B-pdf].
Estampie is a lively instrumental dance from the 13th Century arranged for reed quintet (oboe, B-flat clarinet, alto saxophone, bass clarinet and bassoon). It is arranged as a "patrol" in which the instruments get louder and louder to the middle, then softer and softer to the end. An excellent piece to diversify concert programs. This title is available in PDF format as [1713A-pdf].
The word ‘Peace’ is heard as voices create the sound of a heart-beat.
Peace for soprano 1 and soprano 2 and two-part divided alto voices. The piece is dedicated "To the loving memory of my sister Marion Weait Tresouthick (1932 – 2009)" A version for men's voices can be found at [0108B]. Please contact us about the pricing of multiple copies.
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