This is a transcription of Christian Julius Weissenborn's (1849 - 1888) delightful scherzo for four solo bassoons and chamber winds. The instrumentation is: flute, oboe, 4 B-flat clarinets, bass clarinet, 2 horns in F and double bass OR tuba. We also publish the accompaniment for string quintet or string orchestra [0005E]. It is dedicated to physician/bassoonist Dr. Larry Kramer who urged me to make the four bassoon version. A printed version is available at SKU [0005F].
The PDF version will be sent to buyers after payment has been confirmed.
A very short, not difficult duet composed in 1993 - hidden away until now. A printed version is available at SKU .
PDF versions are sent to buyers after we confirm payment.
Yet another version of this short very easy piece for similar sounding instruments. This one is alternatively for 2 oboes and 2 English horns (as requested by Ann Lemke) or 3 oboes and 1 English horn. A printed version is also available at [1203F].
The PDF version will be sent to the buyer after we confirm payment.
The second passacaglia composed for the standard woodwind quintet in 2015 with revisions in 2018. The mood of this one is introspective. It is dedicated "To the memory of Burdette Green (1921 – 2017)", my Ohio State University colleague and outstanding music theory teacher. Also comes with a part for B-flat clarinet.
A printed version of the score and parts is available at [1511B]
Estampie is a lively instrumental dance from the 13th Century here arranged for double reed ensemble: 3 oboes, English horn, 3 bassoons and contrabassoon. It is arranged as a "patrol" in which the instruments get louder and louder to the middle, then softer and softer to the end. An excellent piece to diversify concert programs. This title is available in printed format at [1713B].
Estampie is a lively instrumental dance from the 13th Century arranged for reed quintet (oboe, B-flat clarinet, alto saxophone, bass clarinet and bassoon). It is arranged as a "patrol" in which the instruments get louder and louder to the middle, then softer and softer to the end. An excellent piece to diversify concert programs. This title is available in a hard copy format as [1713A].
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