Four short fanfares that can be performed as encores, concert openers or as interludes between longer pieces. They don't have to be performed in numerical order. They were composed for a variety of ensembles. The OBOHIO fanfares were played offstage to begin concerts by that double reed quartet. #2 was performed at the International Double Reed Society conference at Louisiana State University in 1990. Tavern Fanfare was originally for wind octet for a concert at, you guessed it, a tavern! The Seven Eight Fanfare was composed in 1998 for no particular ensemble or event.

This short arrangement for the under-served trio repertoire for flute, B-flat clarinet and horn in F. Similar to but not exactly the same as the other trio versions. Dedicated to the stalwart music lovers: Helen Erskine, Joyce Guzik and Beth Scott at Kammermusik Workshops, 2010.

In 1704 Johann Sebastian Bach composed the programmatic keyboard Capriccio in B-flat 'sopra la lontanezza del suo fratello dilettissimo' ('on the departure of a beloved brother'). It is quite unusual among his works for its detailed titling of six movements commemorating his brother's departure by coach. The last two movement, 'Aria di postiglione' (Coachman's Song) and 'Fuga all' imitazione della cornetta di postiglione' (Posthorn Fugue) are transcribed for woodwind quintet.

Also listed in woodwind quintets.

Sophisticated (but fun!) settings of ‘Row Row’, ‘Frère Jacques’, ‘3 Blind Mice’ and ‘Lovely Evening’.

This is the pre-printed, paper version of this work. A downloadable, PDF version of Weait's Rounds for woodwind quintet is also available.